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I jest about the uselessness of Twitter, but I find myself more and more defending it to the people in my daily life, a sure sign that I am crossing over into some sort of addiction that I ought to be fighting. One of the agents of this addiction is the Fake AP Stylebook, which offers one- and two-liners in the style of, well, a stylebook. For instance:
Thorough research is the key to quality reporting. Read the ENTIRE Wikipedia article before writing your story.
Mentally ill people should be treated with sensitivity and respect, unless they’re hilarious celebrities. Then: Game on!
Use English measurement units to avoid confusing readers: “The suspect was four cubits, eight barleycorns in height.”
The folks behind the Fake AP Stylebook (who call themselves The Bureau Chiefs) followed up on this with a book, Write More Good, which I received a copy of recently. I was looking forward to reading it, because I enjoy the stylebook entry parody format, but I was also a bit concerned that it wouldn’t translate well to a book. As it turns out, The Bureau Chiefs felt the same; the book breaks out of the 140-character Twitter restrictions and places its jokes into paragraphs, maintaining a quick-fire approach to the joke delivery, but also giving the jokes a bit more chance to develop, like the slow-aged bourbons that The Chiefs prefer.
The book, like the Twitter feed, is all about writing and journalism, and it presents a surprisingly honest look at the field — the sort of harsh yet good-natured honesty that only good Horatian satire can provide.* Shots are taken at the shortcomings of contemporary journalism, be them “Give the readers what they want”, “Every story has two equal sides”, or “Armageddon waits around every corner”. The chapter on science reporting was full of stuff like this:
“When it comes to the possibility that global warming is caused by human behavior, the opinion of a man with an MBA who does consulting work for oil companies is just as valid as the opinion of a man with multiple doctorates in climatology [...] The opinions of the former may even be more useful, as he is less likely to be prejudiced by spending too much time on the subject.”
“Replacing FIVE NEW EXTRASOLAR PLANETS DISCOVERED with HAVE ASTRONOMERS FOUND THE REAL PLANET PANDORA? could mean the difference between another night of instant ramen and a string of filet mignon dinners at five-star restaurants.” [BTW, This really happens.]
The writers are not out for blood. They mock, but they mock lovingly. Sure, journalists might not be living up to the standards we’d desire, but a lot of that is due to the readers, and they are not spared:
“[...] don’t try too hard to make the math portions of your writing understandable. If someone with a nontechnical background reads it and realizes they can actually follow what you’re saying, the result will not be a lightbulb going off and the realization that maybe math isn’t so scary. They will instead make sure no one saw them doing math and, if if anyone was watching, they’ll explain that, ha ha, they just happened to open up the newspaper to some math: Oh, man, what was THAT doing there? I must have picked up someone else’s paper because, no sir, not me—math is gay.”
At first it seems like a silly little book, but in the end it makes a number of good points. Journalists are falling short of their ideal. Owners care about cash more than journalism. And — the one that really resonated with me — even as we non-journalists bemoan the state of modern journalism, we’re all complicit in its downfall.
At the same time, the book is positively hilarious. Even as I winced, even as I regretted the times I’ve read an article about a puppy parade and skipped the one about a political debate, I kept on laughing. It’s Horatian satire at its best, funny and a bit admonishing. The Chiefs have put up Chapter 3 of the book online for you to judge for yourself whether it’s worth reading. I recommend it heartily.
*: Another good thing about the book is that it got me to look into the history of satire a bit. Apparently, there are two schools of satire: the Horatian school, which views the satirized subject as folly and criticizes it with light-hearted humor, and the Juvenalian school, which views the satirized subject as evil and ridicules it scathingly. The things one doesn’t know that one doesn’t know!